"The question is not what you look at but what you see."
Henry David Thoreau

Posts Tagged ‘edmonton lightroom class’

Lightroom – A tool for the photographer masses

For years now, the standard for editing digital images has been Adobe’s Photoshop.  A couple of years ago Adobe introduced Lightroom and its suite of features and usability has started to garner a significant following.  For the digital photographer, Lightroom offers a tremendous feature set for those looking to organize and process images, create slideshows or web galleries and print their images all from a single piece of software.   In my opinion, Lightroom should be used as the cornerstone of a photographer’s suite of photo organizing and editing software.  Let’s take a look at some Lightroom features that really help optimize your workflow.

Lightroom is organized into five different modules. The Library module allows you to import your images into Lightroom’s catalogue, rename them, assign ratings and metadata (a fancy word for information about information that includes copyright information keywords, etc.), organize images into collections and perform file functions like copying and deleting.

The Develop Module is where things get exciting and is the module that you’ll probably spend the majority of your time using Lightroom. The develop module features an elegant version of Adobe’s RAW processing engine that allows you to optimally process your images. In addition to the regular tools for adjusting the image there are advanced features that allow you to apply graduated filters or even apply areas of colour over an image. The real magic is this happens in a non-destructive manner leaving the original image completely intact.

Before

Before - Click to see a larger version

Take a look at the “before” version of a Canada Lynx kitten in the screen shot. This kitten was photographed in tough lighting conditions that included mottled mid-day light. I made the best exposure I could at the time but was faced with a situation where the highlights were overexposed.

I experimented with the Adjustment Brush, a recently added feature in Lightroom. The adjustment brush is used to selectively adjust exposure settings for limited areas of an image and/or painting those areas with a specific colour. I selected some colour from the properly exposed area of the lynx and used it to paint the overexposed area. I think when you check the finished version of the image (adjusted only in Lightroom) you’ll agree that the results are amazing. Instead of an overwhelming area of overexposed fur, the image is now acceptable and darn cute if I do say so myself. And remember, all editing and manipulating is completely non destructive which allows further edits to occur at any point in the future. Previously, changes like this meant required a visit to Photoshop to repair the image. It is exciting that this non-destructive and very powerful image editing ability is built into Lightroom.

Canada Lynx kitten peering out from behind a log - CA

After processing - Canada Lynx kitten peering out from behind a log - CA

Lightroom’s Slideshow Module allows you to group subsets of images together for slideshows. It provides great flexibility for arranging and captioning your slides and then exporting them as JPEG or PDF slideshows.

The Print Module allows you to print your developed images in a myriad of formats. Want to create a contact sheet, a single page with a 5 x 7 and 4 2.5 x 3.5 images or even a fine-art layout? No problem. Image data (metadata, exposure info, caption, etc.) can be printed along with the image if you desire and if you use a colour managed workflow (all your devices colour calibrated for consistency and accuracy), Lightroom can do that too.

The final module, the Web Module, allows you to quickly and efficiently build web galleries from your processed images. In addition to standard HTML galleries, Lightroom leverages Adobe’s Flash technology to create advanced, animated web galleries. This web functionality is available with just a few clicks of the mouse.

One feature present across all Lightroom modules is templates. Lightroom comes with a selection of templates for operations like applying an antique look in the Develop Module, creating a Caption and Rating Slideshow, printing a Fine Art Mat print or even producing a Flash-based web gallery. And because the modules also support User Defined templates, you can create your own and download others from the Internet.

I’ve just scratched the surface of what Lightroom can do. But, if you’re looking for a program that efficiently organizes and manages a growing digital collection, processes images for optimal (non-destructive) results, creates dynamic slideshows, efficiently prints in a variety of formats and even creates web galleries, you would be hard pressed to find a better tool that incorporates all of those functions at an affordable price.

Getting great prints from a commercial lab

It is very disappointing when your prized digital image returns from a photo lab as a dull and dreary print.  Where did all of the vibrancy and personality go?  Why doesn’t it look as great as it did on your monitor?

Because a print reflects light and a monitor emits light, we’ll never be able to get the two to match exactly.  However, there are a number of possible solutions for getting great digital prints back from a commercial photo lab that will match your expectations in both price and quality.

Screen shot 1

Screen shot 1 - Click to see a larger version

If you’re serious about the quality of your prints, you will want to calibrate your monitor.  Calibrating your monitor creates a profile that allows software applications that support colour management (such as Adobe’s Photoshop, or the FireFox or Safari web browsers) so that the colours and tones that you see on-screen match a predetermined standard.  In this way, when you look at an image on your calibrated monitor, you see the same thing that I’d see when looking at the same image on my calibrated monitor.  Once you’ve purchased a monitor calibration tool (X-rite’s Eye-One Display 2, Color Munki or ColorVision’s Spyder2Pro are excellent choices), actually calibrating the monitor is a simple monthly task that takes only a few minutes.

Next, find a lab that regularly calibrates their printing equipment and makes profiles for their equipment available to clients.  These ICC (International Color Consortium) profiles instruct software as to how their equipment will interpret colour information.  Each combination of printing machine and paper that a company uses will have its own unique ICC profile.  Using these profiles with your photo editing software helps visualize the printed images.

Screen shot 2

Screen shot 2 - Click to see a larger version

DryCreek Photo (http://www.drycreekphoto.com/ ) works with a number of retailers to create print profiles for their machines and makes them available for download from their web site free of charge.  Some of the companies using DryCreek’s services offer very affordable prints and enlargements with the added benefit that the prints can match your expectations.  If your local lab isn’t listed with DryCreek, ask them if they provide ICC profiles for their machines.  Larger population centres seem to have at least a couple of labs that offer profiles for their print machines.

Screen shot 3

Screen shot 3 - Click to see a larger version

By soft-proofing with a calibrated monitor and profiles for the equipment and paper your print is destined for, software can simulate on your monitor what the finished print will look like.  Modern versions of Adobe’s Photoshop, DDI Software’s Qimage and Corel’s CorelDRAW Graphic Suite allow you to soft proof your images using ICC profiles.  To view this simulation in Photoshop, open an image and turn on the soft proofing feature for the particular printing device and paper that the image is destined for by opening the View menu, choosing Proof Setup and then selecting the profile for the device the image will be sent to and turn on the option to Simulate Paper Color (Screen shot 1).

Screen shot 4

Screen shot 4 - Click to see a larger version

The image that looked great on your monitor can often look drab and lifeless when using the soft proofing feature (Screen shot 2).  This is because the software is trying to accurately reflect the limited gamut of colours available on a particular printer and the effects the paper has on how it looks.  To compensate for this, try boosting the contrast, brightness and saturation of your image in your photo editing software to help restore the vim and vigour to the image (Screen shot 3).  Save a version of this adjusted image as a TIFF or JPEG file (saved without a color profile embedded) and send it off to the lab (Screen shot 4).  Ask the photo lab to not make any adjustments to your image during the printing process so that you receive the results you’re expecting.

I strongly believe in printing images.  Viewing an image on a monitor is fine, but to truly appreciate the depth and spirit of an image, it must be printed.  By investing some money, time and effort into improving your prints, you will consistently get the great results you’re expecting at excellent prices.

Please feel free to contact me with questions or comments on this or any other photography matter.